The Dodo (ii)

My ideal existence didn’t last for long. The meals came less often, the plates came less full. I complained to Kidd but he seemed to be losing weight as well. My health began to fail and I lost the progress I made – it was a slippery slope back to the realm of illness and delirium. Eventually, I lost the energy to read. All I could think of was food.My eyes could barely on the words while I fell into a half dream state.

Puffins and feathers colliding, collecting into fractals I dived through. With a blink I was back on land, standing on the mountain that shadowed my home. I saw the Gnasher in the distance crash through sandbanks and paddocks – riding a wave of blood, bone and screaming souls – sailing upon the land as smoothly as on the sea. A shout echoed from behind me, I turned to see my mother pointing behind me. The Gnasher, a beautiful ship corrupted by some unseen evil, rumbled behind me with its bow cracked into a mouth. Its maw was lined by splintered wooden teeth but its insides were flesh. Someone screamed in the distance and I was consumed, sliding down its gullet till I came to rest in a warm pool housed by a cathedral of bone, its arched ribs were slippery and impossible to climb. My skin felt sticky and then gelatinous, dripping off my body like melted butter leaving my glistening muscles naked underneath. I screamed but the only answer was a breathless laughter. A man’s obese silhouette stood in the distance, he held a lantern and watched me with glee. This man was the source of the corruption, I was certain. He laughed while I screamed till my mouth bubbled away though my jaw bone still flapped away through the bloody stew of my face. I had no mouth, yet I screamed on- I was nothing at all but pain, dead, yet the agony continued, red hot pain pouring down my raw nerves which floated in the syrup of my remains.

I woke startled and swung my fist at the darkness. The punch connected with something that groaned and fell down to the floor.
“Who arr ya?” I spurt out, still half asleep.
“God’s blood! It’s Kidd, put down those bloody weapons,” he grabbed my shoulder and from the warmth of his hand I knew he was not a ghoul. I apologised and then he explained why he was sneaking around during the graveyard shift.
“I brought you some food I stole from under the quartermaster’s nose.” He handed me several loafs of bread and some foul smelling cheese.
“They’ve got all the stocks right under their noses, lucky for you I don’t smell as bad as the rest,” he grinned.
“I don’t know how to thank you,” I said shoving a handful of bread into my mouth.
“Just don’t punch me next time. And don’t worry about it, there’s plenty more where that came from. ”
Plenty more? Why are we being starved then?”
The boards above us creaked, “I’ve got to go, we’ll talk later.”
Like a shadow diving into an inkwell, he disappeared without a whisper more.

I ate my fill of the bread and that stinking cheese (I was hungry enough to eat the paper out of my books at that point) and hid the rest inside under the behind books on the shelf. With my belly full I got some well-needed sleep. But it didn’t last long, I woke up again to the sound of boards creaking above. The footsteps of a very heavy set man paced up and down the deck while incoherent shouting went on.

“WHERE? You bastard— where the devil—-” was all I could pick out of the muffled argument among some curses that are too obscene to repeat to you.
More shouting echoed down to my cabin and I clung to the hammock. Was it a mutiny? Was it Davy Jones taking his tax; the souls of sinful sailors as they slept? I knew not until I saw the planks directly above me bend under the weight of the beast. The hairs on my neck stood up. It froze and began sniffing, softly at first, and then had its nose right on the floor so that I could see its horrid nostrils through the cracks of the floor. The sniffing stopped, beads of sweat rolled down my face and rested on the tip of my nose but I couldn’t dare move a muscle. The paralysis clung to the air and even the ship seemed to stop swaying, but it ended with a single word that he grunted through the boards, “Food!” I heard footsteps running down the stairs, and my door burst forth to a more frightening figure I could have imagined. There stood the silhouette of the man from my dreams. It was as if he had stepped out of the veil of dreams, he let out the same breathless chuckle I had heard before and pointed one chubby finger at me.
“Gotcha.”

 

Hamlet’s Character Transformation

“For all his talk, Hamlet’s state of mind and motivations are no clearer at the end of Hamlet than they were at the beginning.” Evaluate this proposition playing close attention to relevant aspects of dramatic technique in Shakespeare’s play, including discussion of at least three of Prince Hamlet’s soliloquies.

To evaluate Hamlet’s state of mind and motivations is a challenge. As Hamlet himself puts to Guildenstern, “Call me what instrument you will, though you can fret me, yet you cannot play upon me.” In this literary analysis, like Guildenstern, I also seek to play Hamlet to a tune, and that tune aims to reveal that Hamlet’s motivations and state of mind are clear and do change and develop contrary to the proposition. There are key differences in the Hamlet at the beginning of the play and the Hamlet who returns from witnessing Fortinbras’ marching troop and the pirates after his short-lived exile from Denmark – which can be shown through several soliloquies and supported by dramatic technique employed intentionally used by Shakespeare to this end. Though there are several veins of consistency to Hamlet’s character which will also be discussed.
The Hamlet we are introduced to at the start of the play is confused, disillusioned, and a shadow of his former self. He even dresses as a shadow, suited in black clothing he still griefs for his father despite his mother begging him to “cast thy nighted colour off.” Soon after Hamlet, who is ever vigilant on the use of language, jumps on the word “seem” that Gertrude uses, in which he argues that he “know not seems” but is genuinely grieving (Andrews 2014). This brief rebuke is an important introductory point to Hamlet’s character for it founds a basis for his basic honesty which he displays in his heartfelt soliloquies throughout Hamlet – and it is also an ironic one in that Hamlet is doubted when he displayed his grief truly and openly but then believed without challenge when he perpetrates his false madness.

His grief is exacerbated by the apparent “o’erhasty marriage” between Gertrude and Claudius which Hamlet sarcastically exclaims that that “the funeral baked-meats / Did coldly furnish forth the marriage tables.” We see the true extent of his depression and disillusionment in the immediately felts succeeding soliloquy (I ii 129) and the famous “To be…” soliloquy (III i 56). In the former, he establishes his perspective of the world, which he sees as “weary, stale, flat and unprofitable” and expresses his view on women as being the embodiment of “frailty.” In the latter, Hamlet elaborates on his role in this “sea of troubles” in which he can “take arms against“ or “suffer the arrows of fortune”, though the choice has no real consequence since both paths lead to the same end: “to die, to sleep.” This Hamlet is deep in melancholy both before and after the Ghost appears but we do see brief yet bright glimpses of a previously passionate person (Bradley 1991). When the players arrive in Elsinore, Hamlet’s energetic remarks and open joy cut through his sorrow and façade of madness as he bids them welcome and asks for “a passionate speech.” Another source of this joy is the possibility of coherent action towards avenging his father, finally he can make a proper strike wherein he can “catch the conscience of the king” and also protect his own moral nature being confirming the truth in Ghost who he suspects could be a devil assuming “a pleasing shape.”
Hamlet is repeatedly described as “transformed” and described by several characters as being previously a passionate scholar at Wittenberg, logic dictates if his state of mind changed from external events of his father’s death and uncle’s usurpation then it can once again change in the future. A primary example is Hamlet himself expresses his change of behaviour when he witnesses the passing army of Fortinbras (IIII iv, 30), moved by the soldier’s willingness to sacrifice themselves “when honour’s at the stake” despite their call to action being the defence of land “which is not tomb enough and continent / To hide the slain.” Hamlet resolves that the call to action can be as thin as “an egg-shell” then considers all the dishonour that he has suffered and feels shame at his inaction where he concludes that from now on his “thoughts be bloody or be nothing worth.” This soliloquy provides valuable insight into the changed Hamlet that will return from the pirates. Evidence of this change being more than mere ‘talk’ as the proposition suggests is found in his conversations with Horatio in which he admits that he has sent Rosencrantz and Guildenstern to their deaths and feels no remorse for “for his old schoolfriends” that Hamlet expresses “are not near my conscience” (Bradley 1991). This point is further conveyed when he also reflects, with no remorse, on the thought of violence in the duel, even if that violence means his death. He states to Horatio that “there is special providence in the fall of a sparrow,” reflecting his new found faith that even the smallest of actions have been moved by the divine hand, and are part of an overarching plan or in other words “a divinity that shapes our ends.” Previously he held the attitude that the world was as disordered as “an unweeded garden” but now shows a marked difference saying to Horatio:

If it be not to come, it will be now.
If it be not now, yet it will come – the readiness is all.

And once again he proves his words true and carries out the dual to its terrible end.

However, this is not to argue that Hamlet has changed to become completely numb or heartless, even after his encounter with Fortinbras’ soldiers and the pirates he still holds a consistent sensitivity to life. By Ophelia’s grave Hamlet argues with Laertes that he “loved Ophelia” more than “forty thousand brothers could”, showing his previous ranting to Ophelia that she take herself to a “nunnery” was part of his false madness, or as Bradley argues, a symptom of his melancholy (1991). Further evidence that points to this conclusion can be found just previous to the graveside fight as Hamlet mournfully reminisces on “poor Yorick.” In this famous scene there is also evidence of a changed Hamlet who reflects on death with sadness but does not fall into the same pit of melancholy as he has before, instead here he keeps a healthy distance from the melancholy posed by death through humour displayed in his lines:

Now get you to my lady’s chamber, and tell her, let her paint an inch thick,
to this favour she must come.

Shakespeare has provided Hamlet with a most appropriate solution considering Yorick’s occupation as a court jester when he lived. Slavoj Žižek has analysed this phenomenon in modern narratives which involve an individual’s relation to an ideology, his clearest example of this type of archetypal interaction in Stanley Kubrick’s Full Metal Jacket. The film’s the main character, Joker, survives and more importantly keeps his sanity by holding onto humour and thus keeping a distance from the terrible events of the film (Fiennes and Žižek, 2016). Hamlet also learns to keep a distance so that he too can have a humour about his mortality, though thats not to say he makes a mockery of death like the gravedigger who Hamlet’s finds to be reprehensible because he “sings in grave-making.” In all these matters there is a balance to be achieved, whether it be between respecting one’s morality and respecting one’s own honour, or between contemplation and action – the thought and the strike.

Another example of Hamlet’s humour about mortality are his lines before the funeral procession:

Imperious Caesar, dead and turned to clay,
Might stop a hole, to keep the wind away.

Hamlet’s entire train of thought on kings ultimately becoming trivial objects through decomposition is especially fascinating when you analyse how he introduces himself to the funeral party as “This is I, Hamlet the Dane” seemingly declare himself King of Denmark and claiming the throne. It is at this point that I would argue it is entirely possibly Hamlet is entirely sure of his course of action; revenge and its price being complete self-destruction. I believe this to be the crux of Hamlet’s tragedy, he finally became spiritually and morally equipped to combat against the evil agents of his life but his true “transformation” comes too late his devils have grown powerful in his inaction towards them. Like God said to Cain after his failed sacrifice, “And if you do not do well, sin lies at the door” (Genesis 4:7) Hamlet also has failed to make the correct sacrifices in his life – failing to choose sacrificing his moral high ground or his honour. Thus the price for revenge is his own destruction, which he walks to as willingly as Fortinbras’ soldiers marking himself not only as a hero among men – but this is also separates him from a being just a hero and upholds him as a tragic hero (Crawford 2015).

In conclusion, Hamlet finally achieves that balanced state he respects so much in Horatio “Whose blood and judgment are so well commingled”, a perfect balance between stoic judgement, Christian charity and spirit of violence to defend one’s honour. Of course, even without hearing the soliloquies and ‘talk’ spoken by the titular character of Hamlet, we would still be able to find a compelling progressing character in his actions. And despite his deception to his mother, his lover and, half the royal court of Denmark he is at least honest to his loyal confessor Horatio and lastly to us, his audience, the loyal confessors to the Bard himself.

References:

Bradley, A. (1991). Shakespearean tragedy. 1st ed. London: Penguin Books.
CRAWFORD, A. (2015). HAMLET, AN IDEAL PRINCE, AND OTHER ESSAYS IN SHAKESPEAREAN INTERPRETATION. [S.l.]: FORGOTTEN BOOKS.
Fiennes, S. and Žižek, S. (2016). The pervert’s guide to ideology. 1st ed. Berlin: Suhrkamp.
The King James Study Bible. (2008). 1st ed. Nashville: Thomas Nelson Publishers.
Shakespeare, Andrews, R. (2014). Hamlet. Cambridge: Cambridge Univ. Press.

The Dodo (i)

A good rest was all I needed. Now with my back stretched and my head on straight, I can tell another tale for you. It’s a tale I’ll need vigour for. Vigour and strength are required because of my obligation to punch anyone who calls me liar or questions the true events of this story – doesn’t matter who speaks out, a pirate, a prince, a pauper or a poet – be it man, woman, or child I’ll wallop them. Especially the children! They’ll need to hear and learn from the journey of the Great Gnesher, that is if they want a chance at surviving the jaws of this vicious life which we have all been involuntarily spawned into.

The adventures of the Great Gnesher and her fearsome crew have been argued about for the past two decades, from sailor inns to princely halls across the globe. I am sure many a merry fist fight has been fought over the facts and events of her journey, I am sure because many of them I have started myself. Decidedly I am getting long in the tooth now and my fists merely bruise fools rather than break the hinge off their jaws. It is time to set down what I saw as a crew member on her maiden journey – though not a very maiden like – and the fate of her crew. Hopefully, when I pass onto the next life there is room at the Great Feast for a writer because I fight today with pen and paper rather than sword and axe.

You know how I was found by the Great Gnesher, in few words, a mess. I felt as if I had melted away with the iceberg I arrived on and that this strange hammock I was strung up in was a manger, I was a babe once again. The delusion that I had been reborn or reincarnated wasn’t much an err from the truth, in that the day I was rescued was the start of a new life for a young Leif Erickson.

I woke up in a room under the deck. Compared icy ocean I had lived in the past week this was heaven, an oaken cocoon oozing comfort. I spent my days here illuminated by soft lantern light and my hammock rocked by the gentle swaying of the ship. I was so intoxicated by this comfort that I felt a shock of guilt when I realised I had forgotten about all those that I had left behind.

Apart from a filled bookshelf left by the previous occupant, the last pilot of the ship, all I had for entertainment was stories told by my carer, the young lad William Kidd. He was barely older than me, on the brink of becoming a man, he was sprouting a thin blonde moustache that could only be seen in candlelight. He told me stories of the crew and the places they had travelled.

I listened passively, not having the energy to ask many questions.
“Today the Captain came out of his cabin for once, everybody ducked their heads thinking someone was about to get the lash… but it was only to grab a leg of turkey from the kitchen…” Kidd was a natural born storyteller and maybe that made him a natural born leader as well in the years to come, he knew exactly who he was, where he came from, and where he was going.
“Oh Tahiti was heaven on Earth, the land of milk and honey, no miserable snow and no rain, no offence to Iceland Leif…”
“No offence taken, it only snows 10 months of the year anyway.”
I laugh remembering those times but not for long, the memory is tinged with what was to come.

It was a peaceful and comfortable experience but in that soft womb, I felt guilty that I forgot about my mother, my father and of course the puffin. The puffin was being kept by Cohen, the First Mate. I met him only briefly while recovering — when I saw the way his spindly fingers reached round the door I already knew what sort of man he was.

“I am taking care of your little birdie, he is too tired to come see you though…” he spoke lazily, letting his bottom lip droop down. He was a lazy liar too, every time he lied he simply pointed his droopy eyes at the wall behind me, unable to make the sheer effort to make eye contact.

“Thanks,” was all I could mutter, feeling greasy having just talked to him.

“And don’t get too comfortable,” he prodded me in the chest with a bony finger that he used to comb back his greased black hair, “You’ll be earning your keep up on the high ropes soon enough. I hope you’re not afraid of heights!”
He left laughing with such a lack of enthusiasm that he didn’t seem to even convince himself.  Cohen was the type of man that thinks he’s clever for taking advantage of the sick and helpless, which was the exact state the puffin was in. I needed a plan to get back the bird.

However, that wasn’t Cohen’s only sin to speak of, Kidd told me many tales of his singular brand of functional insanity — which I have never witnessed in another man before or since.


Part 1 of XX ->

Outrages grows over Queen Victoria Market redevelopment — Australian Saga

Hundreds of protesters gathered last Friday at Queen Victoria Market to show their opposition to the planned redevelopment and construction of a massive skyscraper. The $250 million redevelopment will scrap the nearby car park and displace the antique sheds, threatening what the protesters describe as “the heart of Melbourne.” Among the objectors is former prime minister […]

via Outrages grows over Queen Victoria Market redevelopment — Australian Saga

Unseen environmental damage of music festivals

MUSIC festivals can be the time of a lifetime for many, but the clean up afterwards could extend past our lifetimes.

Inner Varnika, an electronic music festival, occurred on the Easter Weekend and was held just north of Camperdown in Country Victoria.

Typical of festival clean ups is the countless cigarettes butts, camping gear and aluminium cans that litter the ground.

Volunteer Jess Hall said they, “needed a week to clean up” and “it is almost impossible to find all the butts and nangs.”

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Jess Hall, volunteer for the recycle patrol

Nangs, are canisters of nitrous oxide laughing gas that are used recreationally at music festivals to feel short term euphoria but can cause brain damage and heart failure.

Nitrous oxide is a greenhouse gas which is 298 times more polluting than carbon dioxide.

But they pose a special challenge as the “countless” aluminium canisters that are left over from a “nang out” are harder to spot than brightly coloured beverage cans.

According to Dr Joslin Moore, a grassland ecologist, “Non-biodegradables such as cigarette butts and aluminium can cause long term issues for grassland ecologies.”

After three days of partying the grassland had been trampled into mud. “This is typical of Victorian soils,” she said, “which are especially sensitive to being compacted.”

18195530_10212804209048171_1899141516_oA typical scene as festival-goers make a hasty exit

This kind of damage repairs by itself over time but with festivals coming back on a yearly or bi-yearly basis the damage can become permanent.

When the soil is saturated with inert material and metals like aluminium it can be unhealthy not only for plants but also for animal life.

Soil pollution can cause fatal poisoning, which is an issue for animals that graze over festival land during the majority of the year

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Better Ewe than me

The unforeseen consequence of this hedonistic pleasure camp for teenagers and electronic music fans is a slow and painful death for the horses, cows, and sheep that live off this land.

Four rubbish tips of litter and camping gear left behind were filled by volunteers like Jess on the first day of the clean-up. The beginning a week long clean up.

A week may seem like a long time to be picking up litter – but it’s minuscule compared to upwards of 500 years it takes aluminium to decompose naturally.

We can only hope that by next year that festival organisers will allow more clean up time or hire more volunteers before they cause a wide spread environmental disaster in rural Victoria.

The Puffin (ix)

Something was enormous moving below. I could feel the vibrations in the water. Ropes of flesh began floating upwards. With every flash of lightning, red and bleeding they reached closer to us. Out of the darkness, where the limbs came from, a glowing red disc sizzled as it had just be taken out of a forge. But it floated closer and closer and the water bubbled and then I realised it was a giant eye gazing with fury. When the lighting struck again I saw it in full view, in the centre of the growing wave; I would have thought it a rotting corpse if not for the single eye that stared into mine. Its gaunt arms pulled everything it grabbed into its beak that gnashed with a mouth adorned with pin-like teeth. Every aspect of this terrible thing was stretched and elongated, as it had been flattened under the pressure of the sea.

Flat as a page – if it turned to the side it would have disappeared. But it was looking straight at me and snapped its beak at just as the puffin did when I pulled it from its cage. It tendrils broke through the surface of the water to either side of me, they swung in the air as if held by a blind swordsman. It mouth came closer and steam began to boil as the sulphurous bubbles of its breath exploded around. Staring downs the beast’s gullet I pondered my certainty that the puffin is indeed completely a bird.

My thoughts were interrupted by lightning that struck again, on the very nose of the beast. Again and again, it struck the beast. I nearly passed out from the putrid gas that rose, the only thing that has come close to that smell is the bursting of a bloated sea-corpse. Coincidentally a sea-corpse is what I believed I was about to become, the towering wave we had been ascending was tipping over. The wave crashed and I shut my eyes. Darkness, only darkness remained.
I’ve read much about the world, in libraries both decrepit and magnificent, since that terrible night and can only piece together one theory. It must have been Zeus striking down a vengeful Titan back into the depths, and it was merely a coincidence that I sat in the midst of their war. I dreamed that I was Zeus in the clouds looking down and striking those who displeased me. Then it occurred to me that this wasn’t a dream, it was death, and the afterlife is mostly comprised of wreaking revenge on all who wronged us, I was a karmic angel with a score to settle. But my wings burnt up in hatred I spat over the world and I was emblazed all over and I fell like Icarus, my limbs curled up involuntarily like a dying insect.

I fell back down to Earth with a freezing shock and woke up on the iceberg. Or what has left of the iceberg anyway, I was lying half way in the sea, my right hand still death gripped upon the knife embedded in the ice and my left clutched the limp puffin. I would have climbed out of the water had I not felt like half a man, my ribs broken and I could barely flex my fingers. I shook the puffin with my weak hands and it squinted to look at me annoyed that I had woken it from its dream. Maybe it too had been dreaming of wreaking havoc on its puffin enemies, or the shark that had given it that scar above its eye. Or maybe it had been dreaming of punishing me. I questioned why I had kept it alive all this time, just to suffer. I looked around for answers but only a white fog surrounded us.
The iceberg was breaking away before my eyes, we must have been blown a great distance south in the storm. Once again my mind turned to killing the puffin, out of mercy this time, not for food. I knew its pain well. The adventures in children’s books never describe the agony the heroes must go. The prince battles the dragon but the story never speaks of his burns that take months to heals and the nights he wakes up screaming from nightmares.

Another point was the puffin’s body might sustain me for a couple more days, I could drink its blood as well.

I could go on and list every reason it was logical to kill that bird, but despite every reason and every obligation – I couldn’t take that birds life, it wasn’t mine to take. I threw the knife into the ocean and decided that Fortuna would be our murderer, I’d not dirty my hands. And just as that knife hit the water’s surface, a rope landed on my shoulder.
I gripped it and it went taunt, its end lay hidden in the mist.

The rope felt ordinary but I still shouted, “Are you heaven sent?”

“Are you daft?” A voice shouted back, the mist cleared and there stood, not a rope thrown by St Peter, but a ship. Its exterior black and charred though it looked as strong as Samson. The sailors beckoned to me and I tied the rope around my waist and I hugged the puffin to my chest. The pulled me up in silence when they saw my condition, some have said I looked like a corpse and they feared they had pulled a ghost up onto their ship.

That was the circumstance of how I first planted my feet on the deck of The Great Gnasher, which was then captained by the not so great Captain Cohen. My feet didn’t stand planted for long however, I passed out as soon as I felt something solid under my feet but was caught by a boy with blonde hair about my own age. The two dozen souls who kept the ship running also found time to nurse me back to health, two dozen souls that Gnasher had also rescued, who all had stories just as crazed and desperate as mine. The story of the blonde haired boy who caught me is especially strange and just as triumphant, it is the story of William Kidd.

That story is for another time though, I am yawning between words and my eyes feel dewy, salivating with a hunger for some sweet dreams. Time for bed, and if you feel like sleeping too I’ll meet you in the land of nod. Before you close your eyes to bliss, please heed this advice; make sure you are not sleeping on an iceberg!


 

<- Part 9 of 9

The Puffin (viii)

Wildernesses stretch out over the majority of the world, so I think it would be fair to refer to it as just one entire wilderness, as all wildernesses offer the same thing to young men, treasure and death. From all my travelling it has struck me that the wilderness is the world, and everything else – the small towns and cities, are mere oddities compared to the overwhelming stretching wilds. Call it sea, desert, or jungle; it was here before us and will be here after, without hesitation, its vines’ll grow over our roads, ruins and bones. Men and women who have become stranded in a wilderness know greater peace and horror than civilisation will ever be able to provide.

So it was, that I had been in a tranquil daze for much of my remaining days on the iceberg. But now that relief was beginning to fade. The Puffin gave out less food, its strength was failing as mine was, I had no solution to this. The waiting and silence ate away at me, just the warming sea ate away at my iceberg. If only I could float away with it, to evaporate and let my problems disappear into the mist.

I wished for something to happen, anything to break the unbearable boredom. A grinning djinn must have floated past just that moment, and granted my wish. My hands shook with fear as I saw the dark clouds congregate on the horizon, they flashed glares at me, planning my demise in deep grumbling thunder. Though my hands shook in fear, inside I was sunny and glad that change was coming at last, even if that change was from this life to the next.

The puffin must have sensed the tension in the water, it returned early from fishing and hid under my arm. We didn’t have time for the last meal – the clouds were already above. A light rain fell, I said a prayer for mercy for my Mother, who would have to live for herself — for myself, who would be judged at the Gates shortly — and for the Puffin, the last friend I would ever make. The rain fell harder and the waves breathed in and out faster. Each one growing twice the size of the last until we were surfing down a mountain of foam. Slipping off the ice I dug my knife into the surface and with my other hand gripped onto the puffin. My eyes closed involuntarily because of the sheer force of the wind, raindrops became thrown needles. For hours it seemed we clung on while the world collapsed around us.

In a false moment of peace, I made the mistake of opening my eyes. At that moment, were in the bottom of a trough between the waves. So high were the waves, so deep was this trough; that I saw the seafloor and all the inky black monsters that crawled and slithered in the darkness who looked back at me hungrily. Lower we sank towards the creatures, they’re pale mandible screaming in ecstasy for our sun-kissed flesh. We rose just as their black tentacles licked the bottom of my feet. All I could see was the pure hatred in their inhuman eyes as they realised they had been betrayed by the Great Above once again. Pulling my eyes away from theirs, looked up the slope of the mountainous wave that towered over us. Lighting struck behind it, illuminating it like some ghastly celestial lamp. All its contents became visible. Atlantean tragedies and comedies painted on broken murals swirled by, Egyptian chariots raced each other- skeleton hands still gripping the reins, these ancient wonders were only ever see by Moses, a puffin, and me. But behind these wonders lay a terror unlike any.


<- Part 8 of 9 ->